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Another Kind of Love: Male Homosexual Desire in English Discourse, But this is hardly a pathology that can be remanded to the precincts of a particular subjectivity say, for instance, my ownquarantined on the one side by the anecdotes of personality One day, as a small boy, I saw … and on the other by the definitive vocables of a proper name.

No dearth of standardized deviations; exempla everywhere. As a consequence, my strange desire had no difficulty finding multiple textual incitements. A perverse late-Victorian kiss, for instance, was enough to send my mind wandering: In the Carbon sexual encounters in Aland opposite me were three young women, ladies by their dress and manner.

I thought at the time that I must be dreaming when I saw them, for, Carbon sexual encounters in Aland the moonlight was behind them, they threw no shadow on the floor. They came close to me and looked at me for some time and then whispered together.

There was something about them that made me uneasy, some longing and at the same time some deadly fear. I felt in my heart a wicked, burning desire that they would kiss me with those red lips…. I was afraid to raise my eyelids, but looked out and saw perfectly under the lashes. The fair girl went on her knees and bent over me, fairly gloating. I closed my eyes in a languorous ecstasy and waited—waited with a beating heart.

What the primal scene locates, then, is not exactly the of late heavily advertised death of the origin; it imposes, instead, the melancholy illumination that any account of beginnings must proceed from the unnatural animation of an origin that has, as origin, already given up the ghost. The morning, therefore, in which the origin first reveals its primeval freshness turns out to be none other than the night of the living dead. As regards Dracula in its entirety, just what I understand these lacunae, displacements, and blockages to be will be made clear in the extended discussion of the novel I offer in Chapter 3.

But as regards the kissing scene adduced above, some preliminary remarks may Carbon sexual encounters in Aland offered here, if only to help situate the writing that follows. Our primal scene offers, then, a transfixing display of transfixed masculinity.

The manifest and manifestly duplicitous heterosexuality of the scene at hand is only the most immediate Carbon sexual encounters in Aland of this deeply ambivalent narrative activity; Stoker is careful, after all, to deploy three women to unman Harker here, as if so overdetermined a ratification of the boy-girl linkage would be enough to keep everything straight.

Yet just as surely as Dracula will sustain its flirtation with an originary homosexual desire—the desire, anyway, with which the novel first lures its readers—so will it prophylactically refuse to gratify that desire directly.

I spread it over centuries, and time is on my side. Through them you shall yet be mine: The pages to follow will explore some of the literary and historical Carbon sexual encounters in Aland of this figural strategy. As the Latin formula usual English rendition: Feminization of the male is thus an intrinsic aspect of the inversion figure, the very ground of its taxonomic coherence: As, therefore, part criss-cross and part double bind, inversion offers no conceptual space for even the possibility of a virile or masculine male homosexuality, a literally homophobic denial that, among other Carbon sexual encounters in Aland, perpetuates the regime of a compulsory heterosexuality whose axiomatic normalcy may thus reign without question.

Very much the same conceptual duplicity informs the articulation of male homosexual desire in Dracula. Consider in this regard just how our primal scene ends. Dracula himself breaks into the room, drives the women away from Harker, and admonishes them harshly: How dare you cast eyes on him when I had forbidden it? Back, I tell you all!

If I stress this antinomical distribution of male homosexual desire intensification and dispersal, tumescence and subsidencethis is because the doubleness thus emphasized will figure crucially in the chapters to follow.

And not merely, as will become clear, in the texts Carbon sexual encounters in Aland read, but also in the writing that struggles so to read them. To whom, then, does this man belong? Shall he be granted kisses? What are his allegiances, filiations, proclivities, orientations? Writer, specify your commitment to Carbon sexual encounters in Aland subject: Does your body have the courage of your prose? Is there any real women in Eirunepe you put your penis where your pencil is, or your asshole where your eye has been?

Does not the hypertrophic masculinity not to mention the buoyant good health with which you affront the public eye simply rehearse the overfamiliar mendacity of the only seeming heterosexual who, having failed either to come out or act up, prefers instead to enjoy the show Carbon sexual encounters in Aland the scholar: How else to explain how deep and well-appointed down to the Armani black label!

Gender cops of both sexes, and of various sexualities, keep extending the dragnet: Correspondingly, his defensive strategies of the atopic: Another Kind of Love pursues a different tack entirely: There are surely many more fashionably, too many reasons for this, both personal and historical, Carbon sexual encounters in Aland of which even the writer himself may be thought to understand.

To mention, in passing, only a recent few: Despite the semantic overkill inherent in such a discursive environment, there are still good reasons, again both personal and historical, for a straight man—in any event, this straight man—to pursue an explicit homosexual thematics.

I take it as axiomatic proofs to follow nonetheless that this disjunctive relation between desire and practice itself constitutes one of the crucial pivots around which normative male heterosexuality has historically been taught to dance its ugly sidestep. This event marked the first time ever I understood that someone else someone, that is, other than my most Carbon sexual encounters in Aland self might have sufficient reason to refer Carbon sexual encounters in Aland gay possibility to my person—that reason being, apparently, my own momentary leap into sartorial extravagance.

The extravagance in question seems modest enough fifteen years later: It was, presumably, the shameless conjunction Carbon sexual encounters in Aland bag and suspensory device that triggered the emission of the epithet from which man in the crowd, obviously seeing red, I could never quite tell as I made my way across the stereotypically sun-drenched main quad at UCLA. Could not a resolutely heterosexual genital practice guarantee a corresponding heterosexual identity, discernible from afar?

Was I Carbon sexual encounters in Aland as manifestly straight as the concrete path along which I was making my way, no longer to class but to her? Some time later, after much anxious polishing of the masculine body armor so effortlessly pierced by the point of the epithet, I began to think the experience through, with the productive result that I was able to translate the microtrauma of the event into a minirevelation I could then put to use; always the quick undergraduate, I realized that I had been submitting all along to a vestimentary code whose efficient operation in no way required a vocal Carbon sexual encounters in Aland of allegiance from me and whose inadvertent violation would just as efficiently stimulate public Carbon sexual encounters in Aland from another male.

Another male, whomever he may have been, just like myself. Distilled to its rudiments, my narrative offers a neat parable about the boomerang trajectory of the Carbon sexual encounters in Aland little noun faggot: I became in that moment the unwitting object of my own previous denunciation.

This story also exemplifies just how assiduously the male heterosexual subject must work to sustain the serenity of his presumably natural sexual identity; it exemplifies, that is, the open violence of homosocial Carbon sexual encounters in Aland in contemporary American culture. And if, as should be obvious, the overcharged circulation of the language of faggotry continually teased one with the possiblity of erotic engagement between men, so conversely did the tenor of the particular exchanges guarantee that this possibility would go unexplored, here and now, between these men.

In just this way—perhaps only in this way—could the gay possibility be maintained as both perpetually open and immediately foreclosed, a temptation ever ready to be transformed into a threat. Finally, my anecdote invites skeptical appreciation of anything that purports to mark an advance in critical thought. Certainly my undergraduate insight into the oppressive operation of vestimentary codes must count as one of the first steps I took on the road to gay-affirmative thinking and feeling: But just as surely did the very nimbleness of my recognition allow me to elude the indelible application of the epithet whose cruelty I had just begun, a little piously, to explicate.

After all, could I not drop that perilous identity attribution as readily as I could my pants? Not so readily escaped or eluded, however, are the pervasive entanglements that bind together normative heterosexuality, homophobia, and certain decisive formulations of homosexual desire. Nor does the writing to follow claim exemption from these entanglements.

From among the many forms that together constitute a geneaology of our present, I have here emphasized certain British literary texts of the nineteenth and twentieth centuries in which homosexual desire and homophobia are to be found locked in passionate embrace: No matter how solitary the practices of reading and writing ultimately prove to be, they are nonetheless almost always fostered by the generosity of friends and the kindness of strangers; even a dismissive antagonist may haplessly end up advancing the cause of a writing he Carbon sexual encounters in Aland come to detest.

Accordingly, I want to acknowledge the many debts whose simple reckoning exceeds whatever power I might summon to discharge them. Thanks are due, therefore, to the following persons for the assistance they so readily provided along the way: Janet Adelman, Carol T. Christ, Ed Cohen, William A. Beyond these, however, there are a special few who deserve at any rate, are going to receive what award committees like to call special mention. The first to be thus sentenced to gratitude must be Laura Richards Craft, whose love and support intellectual, emotional, financial made it possible Carbon sexual encounters in Aland me to work at all; I think she will remember, as affectionately as I do, the friction generated by a nearly prehistoric argument its Carbon sexual encounters in Aland Finally, the pride of last place rhetorically, of course, the first goes to a dear friend who has instructed me variously in the intensities of writing and the complexities of human relationship, not to say love; the name on his office door, itself more distant than I would like it to be, reads D.

Bram Stoker, Dracula ; New York,51— In the age of mechanical and now electronic reproduction, vampires and their images are as widely diffused as the blood on which they are supposed to feed: I am thus gratified, if not exactly happy, to affirm that my first reading of Dracula was, without any bad faith on my part, anything but a first reading, installed as it was from the beginning in a series of repetitions and replications whose indiscriminate proliferation had already influenced my particular cathexis.

James Strachey, 24 vols. London, — Miller, The Novel and the Police Berkeley,vii; italics original. Roland Barthes, The Fashion Systemtrans. Matthew Ward and Richard Howard Berkeley, Richard Howard New York, Or rather more accurately: It was my primary object when I began these autobiographical notes to describe as accurately and candidly as I was able a type of character, Carbon sexual encounters in Aland I do not at all believe to be exceptional, but which for various intelligible reasons has never yet been properly analyzed.

I wanted to supply material for the ethical psychologist and the student of mental pathology, by portraying a man of no mean talents, of no abnormal depravity, whose life has been perplexed from first to last by passion—natural, instinctive, healthy in his own particular case—but morbid and abominable from the point of view of the society in which he lives—persistent passion for the male sex.

Read The Memoirs of John Addington Symonds written between and in a fever of self-disclosure, consigned immediately thereafter to the closet, not to see public light until the Grosskurth edition of [1] and before long you will find yourself entertaining a fantasy of metalepsis, a dream of historical reversal: Foucault has read the epistemological appeal to sex as part of the symptomatology of the modern, one of the key indicators pointing to a crucial transformation in which the modern experience of sexuality emerges from the antecedent experience of the flesh.

What would a comparative typology of the flesh and sexuality actually show? At times the historical pressures exerted upon these axes may intensify and ramify until they take on Carbon sexual encounters in Aland force of a paradigm shift, an irrecuperable modification in the relations of knowledge, power, and subjectivity within the sexual field.

But a caution is in order: And yet there are differences to be marked, and a historical process to be engaged. In the Christian discourse of the flesh, sexual acts were carefully codified but distinct sexualities were not.

And this for good reason: And pleasure itself was understood as a mobile tropism, a power of perverse turning implicating all bodies and consuming potentially any object. Given these polytropic dynamics, reason was obliged to channel and subdue the flesh according to divine injunctions and interdictions, as these were mediated first by ecclesiastical and later by secular institutions. Reason worked, in other words, to patrol the erotic errancies to which fallen flesh was inescapably heir.


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